Timing

Timing unfolds as a quiet meditation on duration, where movement becomes a measure of presence rather than progression. The work resists linear time, instead tracing a continuous return — a rhythm that oscillates between tension and release. In this suspended flow, time is not counted but felt, expanding and contracting through repetition, hesitation, and subtle shifts in pace.

Here, time operates as the primary medium — something that shapes perception rather than simply containing it. The absence of a fixed narrative opens a space for reflection, where memory and anticipation blur into one another. What remains is an experience of time as something unstable and intimate, a force that cannot be held still but only encountered as it unfolds.

Installation - video | 2015